Abstract:
This research study the holly Qura'n process of reciting, the
stories, that come throughout the Ayat of the Sura, where the
research tries to investigate the function of the stories and its ability
to deliver the massage of the Qura'n to fulfill the Allah intent of
desire.
The massage set to be a signifier and signified to reach the Man
in his humanity. The research so, tries to find out the importance of
the stories in the Qura'n where, they have their power in the
process of the Qura'n in the usage of the languages, which enable
the Man to understand the world temporarily not
completly.Here,comes the endless validity of the Qura'n.
Doing so, the research stated the dramatic languages as shown
in the Qura'n and used in the drama as text or performance. The
languages are:
• Lighting
• Music –Sound effects
• Costumes
• Decor
• Props, properties
• Movements of words and actors.
Theses elements of the massages are set by theatre in
performance, where images describe the situations conveyed to the
beholder to decode the signs of the massage.
In the Qura'n language, the researcher finds a dramatic language
scattered in the text to come to that the research was divided into
four chapters as fellows:
Chapter one tackles the history of drama from Greek to present
time. In chapter two studies the stories in the Qura'n and the
language elements as signs that found in drama, its sequence as it
works in the past and will happen in the future. chapter three and
four are set for the applied work ,where the researcher tries to
implement the dramatic elements and how they functioned in the
Qura'ns' stories, and how they play a role in clearing the content of
the massage set by the stories. This was put in comparison with the
way drama uses the languages either on stage, or in screen, or in
the reader images when reading the texts. at the end of the research
the researcher concluded with some results and recommendations,
suggesting further studies in the future.