Harold Pinter’s Celebration:Alterity and Public Level

Almaaroof , Ansam Riyadh A.; Ahmed, Yousif Omer Babker

dc.contributor.author	Almaaroof , Ansam Riyadh A.
dc.contributor.author	Ahmed, Yousif Omer Babker
dc.date.accessioned	2017-05-01T09:58:30Z
dc.date.available	2017-05-01T09:58:30Z
dc.date.issued	2015
dc.identifier.citation	Almaaroof , Ansam Riyadh A. . Harold Pinter’s Celebration:Alterity and Public Level \ Ansam Riyadh A. Almaaroof , Yousif Omer Babker Ahmed .- Journal of Human Science .- vol 16 , no1.- 2015.- article	en_US
dc.identifier.issn	ISSN 1605-427X
dc.identifier.uri	http://repository.sustech.edu/handle/123456789/17007
dc.description	article	en_US
dc.description.abstract	This paper tackles the concept of alterity and the relation with the other in Harold Pinters last written playCelebration(2000) The paper hypothesizes that Pinter combines modernism and postmodernism in his plays by using modernist and postmodernist characters together and he has implied that the private level predisposed the public one. The paper divides the characters in a Pinter play into modernist limited controlled and postmodernist controlled controlling characters. The paper takes the character analysis as a method of discussion Using the concept of alterity as the German philosopherEmanuel Livenas puts it will help understand the construction of each of the aforementioned characters The paper is limited to Pinters Celebration as a representative of his final stage of writing The paper ends with the conclusion that sums up the results that support the previously put hypothesis	en_US
dc.description.sponsorship	Sudan University of Science and Technology	en_US
dc.language.iso	en_US	en_US
dc.publisher	Sudan University of Science and Technology	en_US
dc.subject	Public Level	en_US
dc.title	Harold Pinter’s Celebration:Alterity and Public Level	en_US
dc.type	Article	en_US