Please use this identifier to cite or link to this item: https://repository.sustech.edu/handle/123456789/24219
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dc.contributor.authorIbrahim, Taj Assir Haj-
dc.contributor.authorAhmad, Mahmoud Ali-
dc.date.accessioned2019-12-22T12:12:25Z-
dc.date.available2019-12-22T12:12:25Z-
dc.date.issued2019-06-01-
dc.identifier.citationHaj Ibrahim , Taj Assir .Challenges to Black African Immigrants’ Ethnicity in Johannesburg as Depicted in Alan Paton’s Cry, the Beloved Country/ Taj Assir Haj Ibrahim. Mahmoud Ali Ahmad and Hillary Marino Pitia Laki.- vol 20 , no 2 .- article .en_US
dc.identifier.issn1858-828-
dc.identifier.issn1858-828-
dc.identifier.urihttp://repository.sustech.edu/handle/123456789/24219-
dc.descriptionجامعة السودان للعلوم والتكنولوجياen_US
dc.description.abstractThis paper aimed at exploring the devastating impact on Black African migrants’ ethnic identity in South Africa as depicted in Alan Paton’s Cry, the Beloved Country. The study illustrated how various linguistic forms were not in favour of the down trodden when it came to their ethnic identity as well as the powerful white South Africans. The researcher has adopted a check list as a tool for data collection as well as other CDA approaches such as emphasizing positive things about us, and emphasizing negative things about them used to express ideology as well as cause and effect. The paper revealed the following important findings: the African immigrants are not in favor with the cultural dimension, and it accounts for (80%) while 60% of the white setters are in favor with the cultural dimension, most of the Black African immigrants are not in favor with the economic dimension which represented (75%) whereas the white settlers accounted for100% in favor with the economic dimension.en_US
dc.language.isoenen_US
dc.publisherUniversity of Science and Technologyen_US
dc.subjectChecklisten_US
dc.subjectEthnic Identityen_US
dc.subjectWhite hegemonyen_US
dc.subjectPoweren_US
dc.subjectIdeological Expressionsen_US
dc.titleChallenges to Black African Immigrants’ Ethnicity in Johannesburg as Depicted in Alan Paton’s Cry, the Beloved Countryen_US
dc.title.alternativeChallenges to Black African Immigrants’ Ethnicity in Johannesburg as Depicted in Alan Paton’s Cry, the Beloved Countryen_US
dc.typeArticleen_US
Appears in Collections:Volume 20 No. 2

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